Hold the Inconsistencies

An HBO affiliate ended up releasing “The Door” episode of Game of Thrones a day early. The spoilers for that episode and the feedback for it was so wut-tastic that I had to lift the moratorium on watching the show to see the craziness for myself. The episode did not disappoint. It also looks like the source for this insanity is the laziness of the show-runners, as evident from all the narrative inconsistencies.

Without George R.R. Martin’s framework to keep the show in check, Game of Thrones has careened into a nonsensical mess. Just look at how Sansas interacts with Littlefinger, Jon and Brienne. She correctly tells off Littlefinger for “saving her from the people who murdered her family so he could give her to the other people who murdered her family.” Then she takes his word that the Blackfish has retaken Riverrun seriously enough that she sends Brienne away from Castle Black. Oh and she trusts Jon Snow enough to use him as a symbol to rally the Northern houses but not enough to tell him about Littlefinger’s visit?

The nonsense isn’t limited to the North either. The summit on Pyke to determine who will become the new King of the Iron Islands ends with Euron Greyjoy being chosen over Yara. They justify this by saying “Yara’s a woman and thus can’t rule” but it doesn’t Euron, who even admits to murdering the previous King (who is his own brother). Remember when Jamie Lannister’s reputation as the “King-slayer” was a major plot point and was used to develop his character? Or when the death of a character leading a house destabilized it?

These are but mere nitpicks compared to this visual…

fleet

So, Yara, can steal the entire Ironborn fleet to the point Euron’s first act as King is to order people to deforest the Iron Islands to “build 1,000 ships”….but she can’t win enough votes to become Queen? Maybe the writers should have played The Witcher 3, which shows how this type of plot should be done!

Of course, any review of this episode wouldn’t be complete without mentioning Bran. Bran in season 1 ignores an elder (his mother) to do something he’s not supposed to (climb a tower), the consequences of which results in him being paralyzed, the near-extinction of his entire family and the deaths of thousands (if not, millions) of people. So it makes total sense that he would ignore the wishes of an elder (Bloodraven) to do something he’s not supposed to (use his seer powers unsupervised); the consequences of which results in him being branded by the Night King, which allows the King to find where Bran’s located. The ensuing raid results in a near total party kill of Bran’s traveling company as well as the deaths of Bran’s mentor and the Children of the Forest.

Oh and the scene where Bran’s marked and Bloodraven has a sense of urgency of getting Bran to safety? The next scene shows them leisurely watching a past vision that doesn’t really relate to the story. Nothing says “immediate danger” like taking the time to casually view past events!

The real admission that Game of Thrones has gotten lazy and nonsensical is through an indirect admission by the writers themselves. From Slate: “When we first started working on the show, we did not want to do flashbacks because oftentimes it seems like a hallmark of lazy storytelling.” It’s no coincidence that season 5 (universally considered the worst season) began with a flashback and they’ve only become more frequent since.

Some book readers will cling to the hope that George R. R. Martin will handle these scenes better. Well, keep the following in mind when Brandon Sanderson eventually finishes the books: “[The Hodor twist came] from one of our conversations with [author George R.R. Martin]. This is one of his ideas that he told us in Santa Fe. We thought it was f–king fantastic.”

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